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Further Reading
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Balio, Tino. Grand Design: Hollywood as a Modern Business Enterprise, 19301939. New York: Scribners, 1993.
Higgins, Scott. Harnessing the Technicolor Rainbow: Color Design in the 1930s. Austin: University of Texas Press, 2007.
Hoberman, J. Bridge of Light: Yiddish Films between Two Worlds. New York: Museum of Modern Art/Schocken, 1991.
Jacobs, Lea. The Wages of Sin: Censorship and the Fallen Woman Film, 19291942. Madison: University of Wisconsin Press, 1991.
Jenkins, Henry. What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic. New York: Columbia University Press, 1992.
Maltby, Richard. "'Baby Face' or How Joe Breen Made Barbara Stanwyck Atone for Causing the Wall Street Crash." Screen 27, no. 2 (March/April 1986): 22–45.
Schatz, Thomas. Boom and Bust: American Cinema in the 1940s. Berkeley: University of California Press, 1997.
Schrader, Paul. "Notes on Film Noir." In Kevin Jackson, ed., Schrader on Schrader and Other Writings. London: Faber, 1990, pp. 80–94.
Sikov, Ed. Screwball: Hollywood's Madcap Romantic Comedies. New York: Crown, 1989.
Sturges, Sandy, ed. Preston Sturges by Preston Sturges: His Life in His Hands. New York: Simon and Schuster, 1990.
Vasey, Ruth. The World According to Hollywood, 19181939. Madison: University of Wisconsin Press, 1997.

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