Bach, Steven. Final Cut: Dreams and Disasters in the Making of Heaven's Gate. New York: New American Library, 1986.
Biskind, Peter. Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock'n'Roll Generation Saved Hollywood. New York: Simon and Schuster, 1998.
Gomery, Douglas. "The American Film Industry of the 1970s: Stasis in the 'New Hollywood.'" Wide Angle 5, no. 4 (1983): 52–59.
Harris, Mark. Pictures at a Revolution: Five Movies and the Birth of the New Hollywood. New York: Penguin, 2008.
Hoberman, J., and Jonathan Rosenbaum. Midnight Movies. New York: Harper and Row, 1983.
Jenkins, Gary. Empire Building: The Remarkable Real Life Story of Star Wars. 2nd ed. New York: Citadel, 1999.
Kline, Sally. George Lucas Interviews. Jackson: University Press of Kentucky, 1999.
Lax, Eric. Woody Allen: A Biography. New York: Knopf, 1991.
Lebo, Harlan. The Godfather Legacy. New York: Simon and Schuster, 1997.
Levin, Lear. "Robert Altman's Innovative Sound Techniques." American Cinematographer 61, no. 4 (April 1980): 336–39, 368, 384.
Lewis, Jon. Hollywood v. Hard Core: How the Struggle over Censorship Saved the Modern Film Industry. New York: New York University Press, 2000.
———. Whom God Wishes to Destroy . . . : Francis Coppola and the New Hollywood. Durham, NC: Duke University Press, 1995.
McBride, Joseph. Steven Spielberg: A Biography. New York: Simon and Schuster, 1997.
Patterson, Richard. "The Preservation of Color Films." American Cinematographer 62, no. 7 (July 1981): 694–97, 714–29; 62, no. 8 (August 1981): 792–99, 816–22.
Paul, William. "The K-Mart Audience at the Mall Movies." Film History 6, no. 4 (winter 1994): 487–501.
Pirie, David. Anatomy of the Movies. New York: Macmillan, 1981.
Prince, Stephen. Savage Cinema: Sam Peckinpah and the Rise of Ultraviolent Movies. Austin: University of Texas Press, 1998.
Pye, Michael, and Lynda Myles. The Movie Brats: How the Film Generation Took Over Hollywood. New York: Holt, Rinehart and Winston, 1979.
Schatz, Thomas. "The New Hollywood." In Jim Collins, Hilary Radner, and Ava Preacher Collins, eds. Film Theory Goes to the Movies. New York: Routledge, 1994, pp. 8–36.
Stuart, Jan. The Nashville Chronicles: The Making of Robert Altman's Masterpiece. New York: Simon and Schuster, 2000.